Exhibition Archive
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Lee Stanton
Lee Stanton: Lost Words
Opening Reception: Friday, November 7, 2025, 5-8pm
This series is a response to the subtle erasure of the natural world from our shared language. The removal of words like "acorn,” "dandelion," and “raven" from children's dictionaries is more than a linguistic update; it is a symptom of a growing disconnect from the environment. These once-common words, replaced by tech words like "broadband" and "bullet-point", represent a wealth of lived experience and ecological knowledge that is being forgotten.
Language has the power to both define and connect us to our surroundings. This series urges us to pause, look, and remember the words that anchor us to the living world. The work aims to reclaim and celebrate these words and to encourage a deeper appreciation for the environment and a more mindful engagement with the world around us.
Hannah Fitzgerald
Hannah Fitzgerald: Not Everything We’ve Inherited is Worthy
Opening Reception: Friday, November 7, 2025, 5-8pm
Not Everything We’ve Inherited is Worthy examines the complexities of parent-child relationships, with a focus on motherhood. Drawing inspiration from the enduring expectations placed on children, often regardless of their own feelings, the pieces confront the realities of failed motherhood and abuse that leave lasting emotional wounds. By incorporating deliberate motifs such as pantyhose, cowry shells, and hair, the work juxtaposes traditional sculptural materials with objects that symbolize femininity, reflecting the artist’s contextualization of motherhood. These materials and forms explore the intertwined dynamics of love, manipulation, and envy. Revealing the emotional layers that shape these relationships. Conceptual installations are grounded in a nude color palette, emphasizing the body and the physicality of parent-child connections. Through this lens, the work provokes reflection on power dynamics, the struggle for self-assertion, and the enduring impact of emotional harm within intimate familial relationships.
Sophia Brueckner
Sophia Brueckner: Hearts and Flowers: Hunting for Love
Opening Reception: Friday, November 7, 2025, 5-8pm
“Frankly, I make clothes for women to look sweet. I like sweet women. I see women’s role in life in the light of sweetness. Men should be the hunters. Women are the keepers of the hunters: it’s a straightforward, set philosophy of mine.” - Laura Ashley
“Disruptive camouflage” is a type of camouflage that uses patterns and color to hinder detection or recognition of an object's boundaries and/or other conspicuous features of its body. It involves the manipulation of the perceptual processing of its viewers. Laura Ashley was a Welsh designer known for her romantic floral prints and feminine designs with a bucolic feel. Like modern tradwife influencers, she promoted the idea of women as submissive wives and mothers to contradictorily become a breadwinner. Hunting camouflage is meant to render a person invisible while hunting, but wearing it has become a fashion statement in rural areas to show off one’s masculinity and dominance over nature. Sophia Brueckner designs new camo patterns that integrate Laura Ashley florals with Realtree hunting camo and use them to make gender stereotyped artifacts and clothing to subvert false binaries about gender, class, domesticity, and nature.