Exhibition Archive
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Deborah Di Vita Glascott
Deborah Di Vita Glascott: BODY LANGUAGE
Opening Reception: Friday, November 1, 2024, 5-8pm
The figurative works in this exhibition are sourced from candid photos and developed organically, drawn directly with paint. Each speaks a language, spirit, mood or personality she feels compelled to communicate. Through traditional methods of indirect oil painting on canvas, Deborah Di Vita Glascott employs elements of color theory, composition, and the use of pattern to contextualize a modern sense of intimacy.
Angela McElwain
Angela McElwain : ReFormation - Collage and Constructs
Opening Reception: Friday, November 1, 2024, 5-8pm
The definition of reformation: noun
1. the act of changing to a better state or character, way of operating, lifestyle, etc.; the correction of abuses and bad habits or practices.
2. an improved state or way of functioning that results from the correction of abuses and bad habits or practices.
The work on view here illustrates my inquiry into the transformative possibilities of the human endeavor to overcome cultural obstacles, blockades, biology or religious tradition in order to attain one’s own sense of Self. The content is particularly apropos to womxn’s experience. The structure of collage and constructs are especially useful for this inquiry because material used in them is re-formed or reinvented to a new meaning whether the source is torn paper, bits of scrap, strands of hair, shards of glass or other detritus. Some materials, hair for instance, are used for their deeply personal meaning. Others assume a new form different from their original use or purpose acquiring a new symbolism.
Fengzee Yang
Fengzee Yang: SOUNDER WIND
Opening Reception: Friday, November 1, 2024, 5-8pm
TSounder Wind is an evocative exhibition that delves into the unspoken depths of emotion, centering on the profound, primordial yearning etched deep within. Through sculptures that embody archetypal forms, Fengzee invites viewers to contemplate the subtle, unnameable desires that persist throughout our existence. These works act as channels between past and present, exploring the intangible realms of memory, time, and loss.
Drawing inspiration from nature’s raw, ancient materials like clay and wood, the sculptures blur the boundary between the familiar and the enigmatic. Each piece—shaped by time and eroded like fossils—serves as a gateway into inner landscapes of longing. The organic textures and hybrid forms reflect an internal search for something unattainable, yet eternally present, embodying an ongoing dialogue between what is visible and what remains concealed.
This exhibition transcends function and context, inviting us to look beyond the tangible and into the quiet, spiritual spaces within. Informed by personal histories of migration and dislocation, Fengzee’s work taps into a collective subconscious where emotions interweave with memory and time. These sculptures evoke a sense of timelessness, acting as mediators between the present moment and vast, uncharted territories of the soul.