What Remains is divided into FOUR CHAPTERS with a specific themes that include a performance art series, visual art installations, discussions, and satellite events on the following days:
*click the CHAPTER links for detailed information about each week.CHAPTER 1: FIXING | FRI 07 > SUN 09 FEB
- FRI 07 FEB | 6-9PM | Opening + Performance Program.
- SAT 08 FEB | 3-6PM | Witness work being installed
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SUN 09 FEB | 2-4PM | Soup Kitchen Conversation: The Impulse to Collect
CHAPTER 2: MERGE | WED 12 > SUN 16 FEB
- WED 12 FEB | 12:12PM | Off-site GUERRILLA STREET ACTION | Location TBA
- THU 13 FEB | 12-6PM | Witness work being installed
- SAT 15 FEB | 6-9PM | Performance Program
- SAT 15 FEB | 10-12PM | Off-site Late Night Performance Program | Bridgeport Location TBA
CHAPTER 3: REFERENTIAL | WED 19 > SUN 23 FEB
- WED 19 FEB | 4-6PM | Witness work being installed
- THU 20 FEB | 4-6PM | Witness work being installed
- THU 20 FEB | 7-9PM | Off-site Performance Program: No Nation
- SAT 22 FEB | 6-9PM | Performance Program
- SUN 23 FEB | 2-4PM | Soup Kitchen Conversation: Activating an Archive of Ephemeral Practices
CHAPTER 4: CONSUME | TUE 25 > FRI 28 FEB
- TUE 25 FEB | 7-9PM | Off-site Video Program: Nightingale Cinema
- FRI 28 FEB | 6-10PM | Performance Program + Finissage
About What Remains ::What Remains explores the connection between performance and relic. Instigator and artist ieke Trinks conceived of a curatorial project that would speak to the challenges of keeping records of live performances beyond the dominant and didactic lens of video and photographic documentation. The project is structured around proposals from artists to re-interpret the relics in the Defibrillator object archive and provide a framework for reconceptualizing their value and meaning through new works.What Remains tackles several questions, including: What impact does history have on a performance object’s status? What value does an object have when it is not specifically an artwork itself, or not intended to be, but is now being framed as such? How much will the relic tell us about the performance for which it was originally used? What is the purpose and value of the collection? These questions and more are addressed through performances and discussions throughout the month.The exhibition will focus on a different theme each week: FIXING, MERGE, REFERENTIAL, and CONSUME. The presentation of objects will change from week to week, with new pieces added when relics are reactivated as performances or installations. The relics that aren’t yet activated will be on view downstairs in the basement on shelves waiting to be used and displayed. The overall idea for the exhibition is to keep it vivid and in a constant flux, just like the nature of performance art itself. Transformation of the space and installation of objects will be done during open gallery hours, underlining the performativity of the accumulation and exhibition of relics. There will also be space given to display the 91 submitted letter-size proposals from around the world.Participating artists ::What Remains features four Netherlands-based visiting artists Nina Boas, Jolanda Jansen, Frans van Lent, and Kirsten Heshusius; all other artists have been selected from an open call. When putting out the call Trinks wrote, “Proposals can be bold, daring, (un)conventional, conceptual, personal, insightful, (de)constructive, (ir)responsible, monumental, fleeting, portable, technical, emotional, minimal, and all of the above.” About the curator and organization ::
ieke Trinks | Curator (b. 1977) is an artist living and working in the Netherlands where she received a Master of Fine Arts. In 2017 she finalized her second Masters degree in Critical & Pedagogical Studies at the Malmö Art Academy in Sweden. Trinks has performed extensively at international venues, including: Galerie für Zeitgenössische Kunst [Leipzig, 2019]; 13 Festivalen [Gothenburg 2018]; Performance Site [The Hague 2017], New Performance Turku Festival [Finland 2015]; Amorph!14, performance art festival [Helsinki 2014]; Bienal Internacional de Curitiba [Brazil 2013]; Out of Site Chicago [2013]; FADO Performance Art Centre [Toronto 2013]. And since 2013 Trinks has been a returning performer at DFBRL8R. In the past three years Trinks has done research on performance art documentation, and wrote on performance art initiatives in the Netherlands as a contribution for the publication ‘Art Action 1998 - 2018’ by Le Lieu, centre en art actuel [Quebec City]. Trinks is since 2010 co-organiser of PAE (Performance Art Event) and works since 2008 in collaboration with the all-women performance troupe, TRICKSTER. www.ieketrinks.nl.
Defibrillator Gallery [www.DFBRL8R.org] is an international platform for Performance Art known for bold and courageous programming that aims to provoke thought and stimulate discourse surrounding experimental time-based practices. DFBRL8R actively contributes to a global dialogs about conceptual, ephemeral, or enigmatic modes of expression - aiming to raise awareness, appreciation, and respect for the discipline of Performance Art. DFBRL8R LTD is a 501c3 arts organization made possible with support from The Tanne Foundation Award; Reva and David Logan Foundation; Elizabeth Morse Genius Charitable Trust; Martha Strutters Farley and Donald C. Farley, Jr. Family Foundation; Zhou B Art Center; DFBRL8R Board of Directors; and generous contributions from our loving community.